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Revision as of 12:06, 15 October 2014
DVO Twister is an advanced software standards conversion tool.
To use DVO Twister, you should set up a project and composition configured for your target format.
Parameters
Enable
This toggle button allows you to enable/disable the DVO Twister effect. By default, as soon as the effect is added it is applied/enabled.
Mode
The mode option lets you choose the source and target format for the conversion. Available modes include :
50i to 23.98p 50i to 24.00p 50i to 29.97p
50i to 59.94i 50i to 60.00p
59.94i to 23.98p 59.94i to 24.00p 59.94i to 25.00p 59.94i to 50i 59.94i to 50p |
50p to 60p 60p to 50p
23.98p to 29.97p 23.98p to 50.00i
29.97p to 23.98p 29.97p to 50.00i |
16.00p to 24.00p 16.00p to 25.00p
18.00p to 24.00p 18.00p to 25.00p
20.00p to 24.00p 20.00p to 25.00p |
Processing Mode
Values : |
Narrow, Medium, Wide, Auto |
Default : |
Narrow |
The Processing Mode affects how motion is detected and selects between three main modes. The Auto mode automatically selects the most appropriate setting based on the source and target mode chosen.
Motion Mode
Values : |
Motion Comp, Interpolated, Nearest Frame |
Default : |
Motion Comp |
This determines how the images are recreated in the target format.
Motion Comp
This uses motion compensation and is the default. This allows the accurate recreation of fields and frames using the Digital Vision Phame motion vector algorithms.
Interpolated
This is a simple method that recreates correct target fields and frames by careful mixing of the input source. This method will often produce a lower quality result than the motion compensated approach (blurs, jerky motion). Try if Motion Comp fails.
Nearest Frame
This uses no processing other than skipping or repeating frames to output the same clip duration.
Cut Mode
Values : |
Across Scene, Inside Scene, Inside Scene Frame Aligned |
Default : |
Inside Scene |
DVO Twister has an internal scene detector and the Cut Mode determines how images adjacent to a scene cut are aligned.
Across Scene
This ignores the cut and blends the images. This will not provide in a clean cut but is sometimes preferred as it is the most accurate representation in terms of alignment in time.
Inside Scene
This aligns the cut to the nearest video field.
Inside Scene Frame Aligned
This aligns the cut to the nearest output video/film frame and so results in the cleanest cut.